Tuesday, October 16, 2012

Ryan Adams wants a Sylvia Plath



This song, "Sylvia Plath," is off of Ryan Adams' album Gold. What are your thoughts? As readers of Sylvia Plath, do you think he gets the image of "a Sylvia Plath" right? Do you like or dislike the song?

Monday, October 15, 2012

Sylvia Plath's "Daddy"




“Daddy” by Sylvia Plath

You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to kill you.
You died before I had time---
Marble-heavy, a bag full of God,
Ghastly statue with one grey toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You---

Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the screw.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.

If I've killed one man, I've killed two---
The vampire who said he was you
and drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There's a stake in your fat, black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I'm through.


Sunday, October 14, 2012

Connection to Salinger

One thing I noticed after reading ch. 9 and 10 is that when Esther returns back home and is denied from the writing program, she becomes depressed and she decides she is going to write her own novel. Well, I found her ability to express herself through her "novel" (and i feel this is gonna play a bigger role later on in the book) is very similar to my thesis which was that both Sgt. X and the Chief escape from problems through their own short stories.  And I thought that Plath and Salinger were both illustrating through their novels how helpful writing has been to them and how it can act as such a positive outlet to expresses your feelings and problems.  Did anyone else kinda realize this?

Sylvia's Views on Men

There were always examples of Plath's feminist style throughout the book, but in chapters 9 and 10 there is an increase of her views on men and women. When Esther is at the bar with Marco, she calls him a "woman hater" right off the bat, and has a passive attitude towards him the whole night. She refuses to stand up for herself while drinking, and when he asks her to dance she says, "I had to choose between following him on to the floorer having my arm torn off". There is a strong theme of mean men in the book, and they take advantage of women all the time. Plath's feminist voice comes out when Esther says, "Women haters are like gods: invulnerable and chock-full of power. I thought it was interesting that Plath weaves her strong women powered views into the book.

Plath's Writing Pattern

As we've said in class, Sylvia Plath was originally a poet.  In The Bell Jar we can see the poetic nature of the novel through the use of imagery, similes, metaphors, and a whole lot of detail.  Plath also tends to break up the story by putting a short sentence in its own line.  For example, "I was supposed to be having the time of my life" (Plath 2). Also, "There were twelve of us at the hotel" (Plath 3).  Breaking a piece of writing like this is very similar to the format of poems, but I don't think this pattern of Sylvia Plath is entirely due to her being a poet.  I see the short sentences as a heading and the paragraph(s) underneath as a summary of an event in Esther's life.  It's as if Esther wrote down bits of her life, titled them, and then rearranged them chronologically so all her memories would add up and make a novel. 

I know there are some exceptions to this pattern, but the concept of it is different from any other novel I've read and thought it was worth mentioning.

Friday, October 12, 2012

Perks of Being a Wallflower and Bell Jar

I read Perks of Being a Wallflower recently and it was basically the same book as Bell Jar set 50 years ahead and with a male protagonist. In Perks, Charlie is a high school age kid who spends a great deal of the novel dealing with a mental breakdown not unlike Esther's. Perks is composed entirely of Charlie's letters to a random person, so like Bell Jar, it is in first person giving the reader a unique view into the mind of someone who is dealing with depression. I also found it interesting that both Charlie and Esther have similar views on society. Charlie watches his sister go through boyfriends (she's sort of like Doreen) and wonders why women stay with the men they do.

As a bit of a side note, Charlie's a reader and mentions a lot of the books we read/will read this year as well as some songs and movies. Here's a list from Wikipedia

Here's a link too because I can't get this whole copy/paste thing down:
http://en.wikipedia.org/wiki/The_Perks_of_Being_a_Wallflower

Charlie's lists
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Literature
In the novel, Charlie's teacher, Bill, assigns him various books to read. Charlie describes them all as his favorites.
The book also references a book of poems by E. E. Cummings, The Mayor of Castro Street by Randy Shilts, a book by Anne Rice, and an autobiography of a woman who was a character in Reds, most likely Emma Goldman. The poem "A Person/A Paper/A Promise" by Dr. Earl Reum is also mentioned.
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Film and television
The novel references these films:
   The Producers
   Reds
   The Graduate
The novel references these television shows:
   Love Boat
   M*A*S*H
   Gomer Pyle
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Music
The novel references these songs:
   "Asleep" by The Smiths
   "Vapour Trail" by Ride
   "Time of No Reply" by Nick Drake
   "Gypsy" by Suzanne Vega
   "Daydream" by The Smashing Pumpkins
   "Dusk" by Genesis
   "MLK" by U2
   "Blackbird" by The Beatles
   "Landslide" by Fleetwood Mac
   "Something" by The Beatles
   "Autumn Leaves" by Nat King Cole
   "Broken Wings" by Mr. Mister
   "I'm Going Home" sung by Tim Curry as Frank-N-Furter in The Rocky Horror Picture Show
Other music groups and artists are also mentioned without reference to a specific song, including Village People, Blondie, Jim Morrison, John Lennon, The Slits, and Billie Holiday.
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